Caravaggio (Michelangelo Merisi)

1573 - 1610

Caravaggio - nativity

This painting is perhaps the most realistic nativity scene ever painted. There are no halos, the woman has apparently been through a real birth and is partly dismissive of the child who lies on the ground. There is nothing divine about her and her child lies on a thin covering of cloth on the ground. Only the surroundings and the people external to the nativity are applauding a holy birth. It's perhaps an allegory of the overwhelming belief of others in a birth that was nothing more than normal. It perhaps portrays the false start of Christianity. Poor Yeshua.

Very unfortunately the painting has never, and may never be, recovered. It is suspected that the theft must be laid at the doors of the Mafia. It was stolen 40 years ago in 1969.

The Calling of St. Mathew
St Mathew and the Angel
The Martyrdom of St. Mathew
Caravaggio painted these three paintings of St. Mathew for the church of San Luigi dei Frances: first St. Mathew's calling by Christ, the second his motivation by the Angel, and the third his martyrdom.. In its Contarelli Chapel Caravaggio's realistic naturalism first fully appeared in three scenes he created of the life of St. Matthew. The works caused public outcry, however, because of their realistic and dramatic nature.

Caravaggio was born Michelangelo Merisi in 1573, in Caravaggio in the south of Italy. Working in Milan and Rome he became known by the name of his birthplace. He was orphaned at 11, and was apprenticed to the painter of Milan for four years. At some time between 1588 and 1592, Caravaggio went to Rome and worked as an assistant to painters of lesser skill, so about1595 he began to sell his paintings through a dealer. This dealer brought Caravaggio to the attention of Cardinal Francesco del Monte.

Through the cardinal, Caravaggio was commissioned, at age 24, to paint the Contradelli Chapel at the church of San Luigi dei Francesi.

The Cardinal also commissioned Caravaggio to paint pictures for his own personal pleasure … full of little naked boys. The wings on these little angels apparently allowed these provocative paintings to be hung in public. They were 'religious' rather than titillating. Caravaggio's reputation increased.

In his evenings, he took to carowsing with friends and gained a reputation for being dangerous, always carrying a sword. He had many encounters with the law during his stay in Rome. He was imprisoned for several assaults and for killing an opponent after a disputed score in a game of court tennis. Caravaggio fled the city and kept moving between hiding places. He reached Naples, probably early in 1607, and painted there for a time, awaiting a pardon by the pope. The dark nature of his paintings at this time reflected Caravaggio's desperate state of mind.

Caravaggio went to Malta in 1608 and was received as a well-known artist. His paintings of this time were among the greatest of his career. He then traveled to Siciliy and back to Italy. He received a pardon from the pope and wanted to return to Rome. The boat that was to take him left without him, taking all his belongings. Misfortune, exhaustion, and illness finally had their effect as he helplessly watched the boat depart. He collapsed on the beach and died a few days later.

Judith

Judith beheading Holoferes

Holofernes was guilty of trying to persuade the jews to worship his Assyrian King, Nebuchadnezzar.

Incredulity

The Incredulity of Saint Thomas

Neues Palais, Potsdam

Self-Portrait as a Sick Bacchus

1593-1594

Cupid

Son of Aphrodite

c.1601. Oil on canvas. Staatliche Museen, Gemaldegalerie, Berlin, Germany.

 

The Cardsharps

The young man is being taken for ride. Caravaggio knew all about evenings spent playing cards with his friends.

Sacrifice

The Sacrifice of Isaac

1589-1590

St. John the Baptist

c.1603-1605. Oil on canvas. Nelson-Atkins Museum, Kansas, USA.

 

The Conversion of St. Paul

Saul fell to the ground when he heard the voice of Christ, saying: 'Saul, Saul, why do you persecute me?' and temporarily lost his sight

Martyrdom of Saint Peter

The Crucifixtion of Saint Peter

A very large painting, 90.5" x 70", it is now in the Cerasi Chapel, Santa Maria del Popola, Rome

David with the head of Goliath

This is Caravaggio's final painting and the head of Goliath is his own even suffering the injury of a recent attack … not long before he died in 1610.

To see what Caravaggio achieved see a comparison of his paintings of the Flaggelation of Christ compared to the same scene painted by nine other artists over 300 years.

Click here for comparisons

Return to The Gallery